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一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。
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当一名高科技窃贼从克罗夫特庄园偷走一件神秘的玉器时，无所畏惧的考古冒险家劳拉·克劳馥立即采取行动，和乔纳追踪小偷来到中/国的一个偏远村庄，寻找一群失踪的儿童，并在一座地下坟墓中取得了惊人的发现……复仇心切的雇佣兵德弗罗揭露了他寻找危险宝石背后的真相，劳拉潜入伊斯坦布尔臭名昭著的军阀的大院。在巴黎地下墓穴深处，劳拉和国际刑警组织特工卡米拉·罗斯揭开了危险宝石与圣殿骑士团之间的神秘联系。跳伞进入伊朗后，劳拉登上了一列高速行驶的火车，与被附身的乘客战斗，将一位老朋友从德弗罗的邪恶控制下营救出来。一条占星线索让劳拉飞奔到了一场古代战争的地点。传说最后的危险石位于金树之间。将危险之石与德弗罗分开，德弗罗的身体发生了巨大的变化。在神秘的昆仑山高处，劳拉面临着女神的挑战，以及在她恢复世界秩序的过程中面临的全新威胁……
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The famous writer Bernard travels to a small town nearby a lake to spend vacation out of season in the winter. He check in an old hotel owned by Enrico and his daughter Irma expecting to meet the maid Tilde, from whom he had a crush last time he visited the town. However, he discovers that Tilde has committed suicide and when he meets the local photographer, Bernard learns that she was pregnant. He becomes obsessed to find whether she really committed suicide and to guess what really happened. When Enrico's son Mario and his wife Adriana arrive at the hotel, Bernard has daydreams about the fate of Tilde.
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电商巨头亚马逊正式宣布，他们将大举进军电影业，计划每年出品12部影片。近日，有消息传出，亚马逊确定投拍美国黑人导演斯派克·李的新作《Chiraq》。影片剧本细节及项目进程状况都尚未公布，据称电影卡司囊括“复联队长”塞缪尔·杰克逊、“侃爷”坎耶·韦斯特、科曼等一众黑人男星，演员杰里米·皮文亦有望参演。 "Chiraq"实质上是美国城市芝加哥的别称——该城市近年频频因枪支暴力事件见诸报端。坎耶·韦斯特是土生土长的芝加哥人，而杰里米·皮文的童年也基本是在芝加哥度过。参照斯派克·李此前执导影片的路数，《Chiraq》应该还是会持续关注黑人生存境遇。
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与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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